Dezember 1962 in West-Berlin; bürgerlich Dirk Albert Felsenheimer, bis 2009 Eigenschreibweise mit Punkt: Bela B.) ... Konstanze Habermann. Behind a series of works lie months of hard labour and research. Because release here is the reward for those who give, yields, discharges a burden. Top. Identität kann dabei dem anschien nach gleichzeitig vorausgesetzte Erwartung der Anderen und Begehren des Individuums sein.Wenn es folglich nicht möglich scheint die individuelle Wirklichkeit ganzheitlich abzubilden, kann in der bewussten Inszenierung doch die Möglichkeit liegen, eine von der Wirklichkeit losgelöste Realität zu schaffen. Follow their account to see all their photos and videos.

Her fictional faith community ‘Chapel of Thirst’ has all the answers for uprooted city-dweller to fill their diffuse inner void. Bela B alias Dirk Albert Felsenheimer ist nicht nur der singende Schlagzeuger der Band Die Ärzte, er ist auch ein gefragter Schauspieler, der Filme mit hohem Trashfaktor liebt. Er ist vor allem als Mitglied der Punkrock-Band Die Ärzte bekannt. The clothes, photographs and everyday personal objects that lie discarded and strewn around the caravan cannot help but arouse our curiosity, despite the slightly uncomfortable feeling that the former occupants could return at any given moment and pick up where they left off.Habermann and Cue-Bärs multimedia portraits of the clown, Browsky – who apparently once lived here with his three-armed wife and their dog – Cue-Bär’s custom-made textiles and the photographs that decorate the caravan’s interior present themselves to the observer rather more accidentally than intentionally, and it’s only at a second glance that the possibility of a further exhibition within an exhibition becomes obvious.Within the staged production of the caravan, the pieces function as props and triggers for associative narrative threads but removed from this context, they also perform as independent works.In both cases, the question is raised how intimacy and identity can be constructed and experienced in different ways. Mit „Scharnow“ legt der 56-jährige Tausendsassa sein Romandebüt vor, ein skurriler Genre-Mix aus Märchen, Fantasy, Horrorroman, Satire, Komödie und „Twin Peaks“. Dirk Felsenheimer, better known under his stage name Bela B, is a German musician and songwriter. Their titles also included their own publications such as "Schweinevogel" and a comic about As an author he has written for the vampire anthology His voice-over work includes the voice of Clay in the German version of the He has also supported many anti-fascist projects, including the initiative "Kein Bock auf Nazis", which was started by the Berlin punk band He has done this since he saw the Bela was the owner of the Leipzig comic book publisher Extrem Erfolgreich Enterprises (Extremely Successful Enterprises), which published horror comic books, including German versions of independent series such as "Faust" and "Satanika". It would seem that identity can be the presumed expectation of others and at the same time, the aspiration of the individual.If that means, consequently, that a depiction of each individual’s reality in its entirety is an unachievable task, then the possibility of creating a reality divorced from the real world could lie in a deliberate mise-en-scène.And thus we find ourselves – although Browsky, his three-armed wife and their dog probably never existed – nevertheless rummaging around in their most intimate memories and dreams.In beiden Fällen stellt sich die Frage wie Intimität Identität konstruiert und variabel erfahrbar wird.

Welcome to the powder-coloured, auspiciously shiny room and multimedia installation by the Hamburg-based artist Konstanze Habermann! Using all sorts of symbolism and allegorical allusions, Konstanze Habermann skilfully combines the protagonists in her staged photographs employing the iconography, as supposedly typically accepted, of religiosity, mysticism and the sacred.

They take us on a thought journey into another world. A staged installation by Konstanze Habermann ‘In the New World, being human means being lonely.’ wrote the literary theorist Georg Lukács about 100 years ago, thus coining the formula of the basic spiritual condition of modern Western life, a formula still valid today: ‘transcendental homelessness’. This is the special depth and freedom of Konstanze Habermann’s pictorial narratives.For example, I suddenly remembered a wonderful, almost forgotten quote from the British comedy team Monty Python on the meaning of life, as proclaimed by the TV announcer in the film of the same name: ‘Try and be nice to people, avoid eating fat, read a good book every now and then, get some walking in, and try and live together in peace and harmony with people of all creeds and nations.’Ausstellungsansicht, Galerie Tempel 1844, Hamburg, April 2019Ausstellungsansicht, Galerie Tempel 1844, Hamburg, April 2019Ausstellungsansicht, Galerie Tempel 1844, Hamburg, April 2019Ausstellungsansicht, Galerie Tempel 1844, Hamburg, April 2019Ausstellungsansicht, Blick in Kapelle, betender Besucher, Millerntor GalleryInside an abandoned caravan, Konstanze Habermann and Adelaida Cue-Bär tell the fictive-fantastic story of the Browsky Palace and play with the concepts of identity, intimacy and reality.