julian schnabel exhibitions

Since then, his work has been at exhibited at renowned institutions worldwide including the Tate Gallery, London (1983), the Whitney Museum of American Art (1987), Inverleith House (2003); Schirn Kunsthalle Frankfurt and Museo Nacional Centro de Arte Reina Sofia, Madrid (both 2004); Mostra d'Oltramare, Naples (2005); Schloss Derneburg, Germany, Tabacalera Donostia, San Sebastian, and The Beijing World Art Museum, China (all 2007) and the Art Gallery of Ontario, Toronto (2010).

Image courtesy of the Musée d'Orsay. Julian Schnabel is known for his multidisciplinary practice that extends beyond painting to include sculpture and film.

In the 1980s, Schnabel received international media attention for his "plate paintings" — large-scale paintings set on broken ceramic plates. In 2002, Schnabel painted the cover artwork for the Schnabel began his film career in the 1990s with the film He has twin sons, Cy and Olmo, with his second wife, Schnabel lives in New York City with his wife Louise Kugelberg.His works are exhibited in the collections of various museums throughout the world, among them the JULIAN SCHNABEL. Julian Schnabel (born October 26, 1951) is an American painter and filmmaker.

Schnabel directed Before Night Falls, which became Javier Bardem's breakthrough Academy Award-nominated role, and The Diving Bell and the Butterfly, which was nominated for four Academy Awards. In the 1980s, Schnabel received international media attention for his "plate paintings" — large-scale paintings set on broken ceramic plates. His first solo show was at the Contemporary Arts Museum, Houston, in 1975.

By using this site, you consent to our use of cookies. Since the 1990s, he has been a proponent of independent arthouse cinema. By visiting our website or transacting with us, you agree to this. For the latter, he won the Cannes Film Festival Award for Best Director and the Golden Globe Award for Best Director, as well as receiving nominations for the Academy Award for Best Director and the César Award for Best Director.

His paintings make use of canvas, wood, muslin and even surfboards.

He uses diverse materials such as plaster, wax, photographs, antlers, velvet and ceramics. View Larger.

New York — Julian Schnabel, Fox Farm Paintings, Dec 1, 1989–Jan 6, 1990 This website uses cookies to offer you a better browsing experience.

Website of artist and director Julian Schnabel. Julian Schnabel was born in Brooklyn, New York in 1951. Julian Schnabel Often a single gesture or cluster of painterly forms depicts the painter’s presence, a compressed or distilled essence…Through his treatment each map becomes a backdrop for events – pictorial events that he acts out, inviting narrative.” (“Sounding in Fathoms: Julian Schnabel’s Recent Navigation Drawings”) Julian Schnabel, Untitled, 2017 Painted bronze with velvet cushion 115.6 x 57.2 x 68.6 cm 45 1/2 x 22 1/2 x 27 inches Julian Schnabel, Untitled, 2017 Painted bronze with velvet cushion 115,57 x 57,15 x 68,58 cm 45 1/2 x 22 1/2 x 27 inches Julian Schnabel, Untitled, 2016 Oil, Spray Paint, printed paper on collage 151,97 x 109,02 cm
The Brant Foundation Art Study Center is pleased to present a major solo exhibition of works by Julian Schnabel − a comprehensive survey of almost fifty works including paintings, drawings, and sculptures from the mid-1970’s to the present. Julian Schnabel in Orsay through the Eyes of Julian Schnabel at the Musée d'Orsay, 2018. Julian Schnabel (born October 26, 1951) is an American painter and filmmaker. Sperone Westwater is pleased to announce an exhibition of recent drawings by Julian Schnabel. architecture; paintings; about; julian schnabel; essays; film; furniture; sculpture; news; video; exhibitions Each stroke describes the speed and direction of its marking, and in this way, the drawings are as precise and as abstract as the maps onto which they are painted. His first solo show was at the Contemporary Arts Museum, Houston, in 1975. In the catalogue published to accompany this exhibition David Moos writes: “Schnabel’s work is rooted in exploring and trying to define the difference between epiphany and the commonplace.


Rotating the map on its side or upside down, the artist releases its informational content to emphasize gesture and fluidity.

His use of preexisting materials not traditionally used in art making, varied painting surfaces and modes of construction were pivotal in the reemergence of painting in the United States.

Julian Schnabel, G'iuliʼan Shenabel, ג׳וליאן שנאבל